Ed Sheeran & The Who Opens 2015 Concert Season at Forest Hills Stadium

by Michael Perlman, Perlman PR

Building on the tradition of the hallowed ground at Forest Hills Stadium, where every act from The Beatles to Frank Sinatra to Bob Dylan was witnessed mostly in the 1960s and 1970s, the summer 2015 concert season opened with Grammy-nominated singer Ed Sheeran on May 28 and May 29 and The Who on May 30.

Reflecting on definitive moments, concert promoter Mike Luba pointed out, “Ed Sheeran said the Forest Hills Stadium was one of the coolest places he ever played at. The Who returning for the first time since 1971 was absolutely crushing it. They loved it too.” Luba described the community’s response to the opening weekend’s concerts as positive. “Combined with the amazing time both Ed Sheeran and The Who had at their shows, makes me really encouraged about what the future holds for this adventure.”

On May 29, Sheeran opened the evening with “I’m A Mess,” surprised fans with the new track “Sweet Mary Jane,” performed mash-ups, covered classics such as “Ain’t No Sunshine” and “Feeling Good,” and led up to a grand finale of “Sing,” where 14 screens featured fans, clips of Sheeran, and music videos. With only a guitar in hand, a soulful voice, and a hip hop hook, he is a one-man dynamo. Roaring screams from a packed audience, dominated by teenage girls led to shout-outs such as “You have the voice of an angel” and “How could you be so cute and so talented at the same time?”

“The stadium is large but is also intimate,” said Sheeran fan and musician Kevin Revis of East Brunswick, New Jersey. “I want to be famous and play here,” he continued. Another fan, Niky King, said “We’ve come all this way from England, and it was brilliant!”

On May 30, punk/hard rocker Joan Jett and the Blackhearts commanded their audience with much energy, and was the ideal opener for the legendary rock band, The Who. Jett still delivered her classics with much energy, and that included “I Hate Myself For Loving You” and “I Love Rock N’ Roll.” “The Who Hits 50!” tour, which featured two of the original members, Roger Daltrey and Pete Towshend, proved how to rock a packed stadium half a century later. They performed their mid-1960s to 1970s classics, which included “I Can’t Explain,” “I Can See For Miles,”  “Pinball Wizard,” and “See Me, Feel Me.” This concert attracted mostly a middle-aged energetic crowd.

Michael Mastrobuoni of Wantagh, NY had a front row seat and shared some memorable moments. “Roger Daltrey shhhhh'd me since I yelled out to Pete Townshend about how good they still sounded. Also, Pete threw a guitar pick, which I actually caught and was patted on the back by those around me.”

“Some of my favorite bands played here, and being able to see two of those bands at such an iconic site was amazing,” said Forest Hills filmmaker and musician Andrew Akler. He then explained, “Joan Jett’s set really fit the theme of ‘through the years,’ which The Who continued when they came on. Their performance of ‘Love, Reign O'er Me’ was absolutely incredible.”

Forest Hills resident Pat Lannan said, “Rock N’ Roll pioneers Joan Jett and The Who provided concertgoers with the true spirit of what playing live is all about. No computers were needed.” Lannan also addressed a most memorable moment. “Roger Daltrey turned to Pete Townshend and asked for a big round of applause for ‘the man who wrote all of this fantastic music.’ Then I thought, all this brilliant music from one person is a true gift.”

Since the stadium’s restoration and renovation in 2013, season 1 and season 2 have proven to be a great success. Luba said, “We aim for world class artists. We’ve made a bunch of progress with the stadium, and this weekend we saw the magic happen.” Looking ahead, he welcomes a diverse concert program for this third season including The New York Pops. “New York deserves a world class summer venue for orchestral music, with most tickets starting at only $10 and kids are free.”  

Drake vs. Lil' Wayne: A Success Despite Concert Concerns

by Michael Perlman, Perlman PR

Drake, Courtesy of Suzan Causey

Lil Wayne, Courtesy of Suzan Causey

The iconic Forest Hills Tennis Stadium has hosted “Drake vs. Lil’ Wayne” on August 19, which marked its third concert for the summer 2014 season. It proved to be a success, despite hearing a buzz in prior weeks over a scheduled rap concert, increased noise levels, and rowdy crowds in a residential area.    

    

Sometime between the August 9^th Modest Mouse & Brand New concert and the Drake and Lil’ Wayne concert, a vague email from a small local group addressed from “concerned citizens” was circulated to some stadium neighbors in a vicinity that includes the Forest Hills Gardens and 69^th Avenue.

An excerpt read: “After the last two concerts, we heard complaints about the noise levels inside peoples’ homes. One person on 69^th Ave. told us she was forced to leave her house on the night of the last concert because it was so loud. Others have described their homes shaking from the bass levels. We have conveyed these concerns directly to the promoters, our elected officials, and the city’s Department of Environmental Protection, which is responsible for enforcing the city’s noise code.”

The letter then read: “After the last concert (Modest Mouse), we also received complaints about the sound check that went on from 6 PM to 8:30 PM the day before the performance. We spoke to the promoters about that issue during a meeting this past week. They told us that for Drake and Lil’ Wayne, they will test the p.a. system on Monday, but promised us that it will not be an extended rehearsal like last time.”

In an interview with concert promoters Jon McMillan and Mike Luba, they issued a joint statement after the concert: “Drake and Lil' Wayne are world-class performers at the top of their respective games, and they put on an unforgettable performance. The atmosphere in the stadium was electric. We continue to work closely with city agencies, local officials, community groups, and individual neighbors to improve the overall concert experience for our patrons and residents in the areas surrounding the Stadium. We're looking forward to hosting the legendary Replacements on September 19, and Phil Lesh and Friends on September 21.”

Local residents inclusive of concertgoers also praised the concert experience. “The 10 PM concert curfew is more than reasonable, and we're talking only about six shows a year spread out of over the summer months,” said Pat Lannan. “I walked around our neighborhood not long before the Drake vs. Lil’ Wayne concert, and the restaurants and pubs were packed. Our police department has done a wonderful job to make sure these concerts are orderly, so by allowing them to happen, we’re showing support for our businesses and the neighborhood.”

BarbaraAnn Balzaretti Flannery agreed. “There are no safety issues, and the concertgoers and the cops have been great. The concerts not only bring revenue to the neighborhood, but inspire budding young artists to follow their dream.” She added, “Music is food for the soul, so let’s embrace it!”

“I’m sorry that some people are complaining about noise, but the concert ended at 10 PM sharp,” said Matthew Mandell, who has attended the Zac Brown Band and Drake vs. Lil’ Wayne concerts with his family. He explained, “The concert had a young and high energy crowd. The stadium has a historic feel, it's a good size, and it’s awesome to be able to walk to concerts in our neighborhood. There's nothing like an outdoor concert in the summer, and I am looking forward to next year.”

On the contrary to the predictions by a small group of locals, the performers applied their creative vision to an organized and interactive concert experience. On August 9, Drake’s Twitter feed read, “Everybody coming to the show, download the Drake vs. Lil’ Wayne app free and put the power in your own hands! You decide who STARTS the show, who WINS the show, and of course what side you are on! Just choose your city, and from there it’s on YOU.”

Opening the concert in unison, Drake and Lil’ Wayne were ready to energize their fans. “Blunt Blowin” was first performed by Lil’ Wayne, and then a comeback was delivered by Drake with “We Made It” and “Draft Day.” Independent numbers followed, along with a face to face rap battle. A climactic moment was witnessing Drake being hoisted 20 feet above Forest Hills. According to the app, the fans pronounced Drake as the winner, but then the artists proved that the fans made a mid-summer’s night in Forest Hills one to remember.

Iconic Forest Hills Tennis Stadium’s Comeback With Mumford & Sons

by Michael Perlman, Perlman PR

Mumford & Sons under starlit skies

Forest Hills, synonymous with tennis and music history, regained a bit of its glorified musical past on August 28th, as the iconic Forest Hills Tennis Stadium, dormant and neglected since its last major concerts in the 1980s, reopened after undergoing eight weeks of repairs totaling an approximate $1.5 million. An estimated 16,500 fans began standing on long lines on Burns Street as early as 5 AM, eager to enter the historic stadium archways to see the U.K. folk rock band, Mumford & Sons, as well as opening bands, Bear’s Den and The Vaccines. They took center field on a newly constructed stage and the fans cheered, reminiscent of the days of Forest Hills Music Festivals. They picked up from where The Beatles landed in a helicopter and performed 49 years ago to the day, or when other musical greats such as Frank Sinatra, Barbra Streisand, Bob Dylan, The Doors, and Donna Summer made summers memorable. 

Dating to 1923, the stadium is recognized as the first concrete tennis stadium countrywide and the first home of the U.S. Open. It is also noted for National Championships, and where tennis players such as Bill Tilden, Don Budge, and Billie Jean King made headlines, and Arthur Ashe and Althea Gibson broke racial color barriers when tennis was a segregated sport.

After the U.S. Open moved to Flushing Meadows Park in 1978, major music festivals gradually declined at the stadium. Neighbors then complained how music lingered all night and their properties were parked on and trashed. The stadium fell into disrepair with patchy concrete, and the wrecking ball narrowly missed what was deemed as “hallowed ground.”

Just three years ago, West Side Tennis Club (WSTC) members rejected a bid by Cord Meyer Development to purchase and demolish the stadium for a condo, which followed Rego-Forest Preservation Council’s grassroots preservation and creative reuse campaign, led by Chair Michael Perlman. WSTC President Roland Meier played an instrumental role in bringing the private club away from its wallflower status by looking outside the club for ideas for the stadium’s future. Notable 100th anniversary events recently transpired, including a flag raising ceremony and a tennis carnival. This played homage to the club’s past and influenced club members and the greater community to support the stadium’s rebirth.

Last winter, concert producers and partners Mike Luba and Jon McMillan began a dialogue with the club, and founded WSTC Events. Their shared vision was to hold 18 concerts over the next 3 summers and 1 this summer as a trial. “We want to justify the faith of the community. We had to earn the trust of everyone involved,” stated McMillan. Key stakeholders included members of City Council, Community Board 6, the Forest Hills Gardens Corporation, the 112th Precinct, the Mayor’s Office, and members of the West Side Tennis Club. The Department of Buildings approved a 17,000 seating capacity, and the producers worked with the 112th Precinct to approve an approximate 150 safety officers and street closures near the stadium.

To place a damper on neighbors’ concerns over noise and overcrowded residential blocks, WSTC Events set a 10 PM concert curfew and created a new stadium entrance on Burns Street. Tickets were $74 with no additional fees, and patrons were advised to take mass transit, in order to ease congestion and the stadium’s lack of parking.

Engineering assessments proved the stadium was sound. It withstood hurricanes, an earthquake, and a macroburst. “Based on historic drawings, surveys, and meetings with the DOB, we’re doing everything we can to make the stadium safe,” said McMillan. Luba’s first observation of the stadium was “a crumbling mess, which could turn into a priceless jewel.”

From June 20th through August 17th, Construction Manager Carl Dogali had the feat of completing structural work on a site he newly encountered. He explained, “We removed the weathered wooden benches from the grandstands. Then I power-washed the stadium’s topside and patched the concrete. Phase two addressed falling concrete on the bottom side and the archways. Phase three was the new entranceway.” The producers also financed new flagpoles above the eagles overlooking the stadium, replicated portal signs, and removed the windscreen from the stadium’s base to reveal roundels and pilasters. During the restoration, a 1923 Coke bottle and a safe was uncovered.

“We have a history of coordinating shows in small communities, and part of our vision is to drive local economies,” said McMillan. Increased business was witnessed before and after the Mumford & Sons concert along Austin Street. That held true for the newer businesses such as Forest Hills Station House, Banter, The Flying Pig, and Martha’s Country Bakery, as well as old-time favorites such as The Irish Cottage. Some increased their hours and offered live music and specials. Forest Hills Station House served English pub fare and played Mumford & Sons’ music.

Mumford & Sons energized their fans who sang along and danced to multi-platinum numbers such as “I Will Wait,” “Little Lion Man,” and “The Cave,” while colorful lasers and dangling lights enhanced the mood. Marcus Mumford stated, “This has been a unique day for us. We are really proud that we got to revitalize this venue with you all.” Ben Lovett on the keyboard said, “Yes, Forest Hills, Queens, New York. We just can't believe you all came. This is amazing. Are you sure you can invite 17,000 people to a tennis court? It hasn't happened in a long time!” Mumford & Sons commemorated the stadium by throwing tennis balls into the audience, and alternating between a racket, a banjo, and a guitar.

Patrons explained their experience. Patrick Lannan of Forest Hills stated, “The stadium is the jewel in the crown of Forest Hills, and to tear it down would rip the identity so closely associated with tennis and this historic neighborhood. Mumford & Sons fully understood the connection, which they referenced throughout the show. Mumford and Lovett are from Wimbledon, where tennis is also prevalent.”

All the way from Connecticut was concertgoer Cheyenne Kerekes, who explained, “You could feel the history in the stadium. It was even more powerful because the bands have such respect for the greats that came before them. Someday people will be talking about Mumford, Vaccines, and Bear's Den, the same way they did for Dylan, Hendrix, and The Beatles.” She continued, “When all the bands came on stage for ‘Awake My Soul,’ that was one reason I adore Mumford & Sons so much. Everything they do music wise becomes a community experience, and we're all there to jam along with them.”